where we'll join our heroine in her travails in search of kick ass music and more

Friday, June 22, 2007

Snow Patrol w/Ok Go + Silversun Pickups @ the Theater at MSG - 3.26.07

Ok, so here goes post 2 in my lame attempt at sort of catching up...
Most of the other subsequent posts are just going to consist of a bunch of photos (i finally managed to upload all my photos to my mac) and maybe even video, if I manage to figure out how to do that ;o)

But I did manage to take proper notes for the Silversun Pickups/Ok Go/Snow Patrol show, so in order that they don't go to complete waste...
I'd been looking forward to this show, but not as much as usual, simply b/c of the location, at the theater at Madison Square Garden, which I think has just been rechristened the WAMU Theater - blech!

The sight lines are decent, but this place seems to attract the dilettante amongst music fans - the folk that come out b/c they know 'that one song', or heard that it was 'the hot show in town'. I hate these people. I know that sounds harsh, but they just piss me off. These are the people that will yell at me to sit down even if everyone else in front of me happens to be up. Or the people who'll insist on having a full concert-length conversation with whomever they came with. Pretty loudly too. So that instead of remembering the great live music I just experienced, instead I'll have their annoying talk about that 'hot chick they know from work' in my head. Grr. But enough about annoying people - they take up too much space as it is...

Silversun Pickups started out the show. They've been doing pretty well since their cute androgynous pubescent girl video - Lazy Eye - has been on heavy rotation on Mtv and Fuse and IMF and who knows where else. It's a really catchy song, and even catchier video, so i'd already gone ahead and dropped a few bucks on their cd.
They had tons of energy, but unfortunately were dwarfed by the location's usual lack of any sort of proper lighting and sound. Opening bands might as well not exist, that's how much attention their setup was given here.

The lead singer had a good rapport with the audience, mentioned that we really should stay and give Snow Patrol a chance - to not just leave as soon as their set was over, since it was becoming a bit embarrassing.
They only played for about 25 minutes, which actually i guess is typical for an opener. They were lively throughout and did try and engage the crowd which although dead as far as any sort of movement (would it kill them to bop their head a bit?), did react audibly to their calls.

Ok Go was next and were excellent as always - pretty much a guaranteed good time. I was a bit disappointed they didn't do their treadmill choreography like they had at an earlier headlining show at Irving Plaza, but they did end the show once again with their inflatable, blowing, pink, phallic, rubber thingies (I'll post a photo later - they're hard to describe), which is always fun. The crowd had filled out a bit more by then and was definitely more energetic.


And then Snow Patrol started. Btw, I think this is one of the few shows I can remember, when I both knew of and liked all of the openers and headliners alike.

Snow Patrol is definitely trying to usurp the the stadium gods' seat away from u2 and the like. Gary Lightbody (the lead singer) is becoming more and more comfortable with the role of ringmaster - who even notices the other band members? - does the lighting crew even bother to set up spotlights for them? It did seem like all the lights and attention were wholly focused on Gary's shenanigans.



I'm never very good at keeping precise track of which songs are played and/or missed, but I do know they missed 'Chocolate' and thankfully spared us any songs from their first two albums, which bless them, suck.

They did play the yuppie crowd's favorites as was evidenced by the noticeable walkout after they finished playing the 'grey's anatomy' song.

Best moment of the evening: Gary pointed out that there was a girl in the audience with a sign saying something like "I spent all my money on a ticket from Glasgow and now I'm skint'. He asked her what she wanted to be picked for and later on asked her to come on stage and help out on the duet that was performed in the album my Martha Wainwright. Anna from Belfast (I think) then came on and did a bang on job of belting it out. She knew all the lyrics, didn't just stand there gushing at Gary, took it all serious like and did an excellent job of it.

Afterwards Gary mentioned how she'd been the best one so far - how each girl along the tour had put her individual stamp on it, sometimes doing a little dance or enhancing the song with some Christina Aguillera touches. How some of them had been a bit scary like, but all fun.


I'm not sure how many more of their shows I'll be able to go to though. Their rising star means they'll be playing ever larger venues and if the crowd at the Garden was any indication of what's to come, I might just stay home. But no matter what's going on with the audience, it was really refreshing to see that Gary remains as emotional and devoted to the music as ever. He always seems to truly enjoy himself and is never contemptuous of the audience. Always grateful and joyous.

Tuesday, June 5, 2007

Waaaay late review of Rhett Miller @ Hiro Ballroom, 3/23/07

Ok, so i realize that I'm woefully behind in posting anything at all about my recent shows. I'm not even going to begin to attempt to catch up. But I do want to post on a few and thankfully (since my memory can suck) I actually took notes on a couple of them.

One of the best ones in recent memory was Rhett Miller at the Hiro Ballroom back on 3/23. Alas I did not take any photos - the show was so intimate that it felt rude to snap away while he was pouring himself out to us. Besides, I think I might have left the camera home that evening...

Onwards to the show...
I ended up missing a bit of the show since I only got there at 9:15. Glad I didn't follow someone's advice - Mike, I'm talking to you ;o) - and get there at 10. I'd have missed most of the show.
Mr. Miller played a whole lot of songs, tried to fit as many as he could within the set, since as always the venue had a curfew and the dance party just had to start on time.
He managed to fit so many in, that I'm not sure if he missed any from his solo albums. Rhett also played quite a few Old 97s ditties, including unreleased ones (I'm taking his word for it, since I didn't check and am not that familiar with his ouevre) like a Japan only single, whose title eluded me. He also re-worked 'America the Beautiful' into 'Erica the beautiful', which he did in 'order to get laid', which seemed to be a career theme. And it had worked since Erica eventually became his wife :o)
Rhett was very personable and very sweet, and chatted with the audience quite a bit. The audience itself was a bit sparse - there were some seats right in front of the stage - but instead of chairs, they were more like low platforms. It was pretty quiet, but definitely appreciative. There really wasn't any of the typical singing along, except for a loud group of hardcore fans seated in a booth next to me.

At one point he told us that he felt like he was in Japan (the venue, for those that don't know is Japanese temple chic, with a temple gate over the stage and lanterns everywhere) and that this show would be his own 'Live in Budokan'. When we yelled back in response, he told us we should shriek a few notes higher ;o)

Earlier on, he'd mentioned how'd he do a song that wasn't on any record. He'd written it when the Old 97s (about 8 years ago), were first signed up. How he thought that when they'd be signed, there'd be an 'Ali Baba and the 40 thieves - pirate room of loot, full of doubloons, before he realized that instead they'd just be fucked over'.

Another cute little story behind a song (might have been the same one as above, I lost a little track along the way), was the one where he mentioned Steve Miller, although not by name, just by 'the old man' moniker. He planned on performing this same song when he and Steve played their all boys' alma mater centennial celebration. But he hoped that Steve wouldn't notice that he'd referred to him as 'the old man' ;o)

He ended it by telling us about a bunch of shows that the Old 97s would be doing back in Texas (which I'm sure have happened by now) and about how he was trying to get them to play NYC this summer - which they will be doing:

http://www.rtrcruises.com/schedule/schedule.htm#old97s

I'm still not sure which show I'll be going to, but I'll definitely be going. I'd been obsessively listening to his solo albums for weeks in end, always pulling them back up on my ipod whenever possible. Rhett completely delivered an amazing performance at this show. He was funny, sweet, damn talented and hey, pretty sweet on the eyes as well. I've been trying to spread the gospel of Rhett as much as possible ever since and Mike, thanks again for hooking me up with some Old 97s as well.